Camera reports, the way the camera department actually works.
Log takes with one tap. Wrap with the paperwork done.
Free forever · No account · Works offline
Built from user requests, credited by name · The public record
logging
One tap. Same again.
A new take starts from your last one: lens, stop, filters, distance, all carried.
Type what changed. Not what didn't.
Sliders and steppers, not keyboards. Gloved hands welcome.
Mark the good ones as they happen.
This is a real 24-take day, scrolling under your thumb right now.
timecode jam
Point your phone at the camera.
You're jammed.
SmartLog reads the timecode straight off the camera's own display. No cable, no box. Want frame-perfect? Feed LTC down a cable and it locks to that instead.
NIGHT EXTERIOR
team sync
One log. The whole camera team.
Everyone's takes flow into one shared log through your own Google Drive. Offline first, always: the log lives on your phone and the cloud catches up when you do.
the camera report
Wrap. It's already written.
A camera report the DIT actually wants: clean PDF, circled takes, contact sheets, lighting diagrams. And your takes land straight on the editor's timeline in Resolve, Premiere or Final Cut, each marker carrying the slate, the lens and your notes.
the changelog
Built with the people who use it.
Every feature was asked for by a working AC, DP or DIT, credited by name in a public changelog going back to day one. Scroll through the crew.
2nd AC, Spain · pick-up takes, internal ND, filters on the PDF, extra lenses
DP, Mexico · the slate, then jam by camera
multiple stills and diagrams per take
DIT, Brazil · clip numbers, per-camera memory, shooting order, Silverstack
AC, Indonesia · slate steppers, the PDF button
Spain · the Spanish translation
name your own lenses, reference stills, native ISO
focus puller, Denmark · the distance field
US and UK slating conventions
per-camera configs
2nd AC · height, tilt and dutch
shutter angles, email report, A+B takes
auto-backup and data safety
WRAP, FIRST LIGHT
free forever
Free forever isn't the catch. It's the product.
No subscription, no account, no ads, no analytics. It feels like it should cost you every month. It does not, and it never will, because it was built with filmmakers all over the world who told us what they actually needed.
Works on iPhone, Android, iPad and every desktop. Nothing you log ever leaves your device unless you turn on sync.